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1. |
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Uncle Monte's House
Three lost roaches cross the unwelcome mat,
into its cold strange house:
cold to all abandoned and rejected roaches from the street,
warm to the strange, and their way of being,
their way of eating, and smoke blowing
from withered twisted lips.
During its mealtime table, square jaws in a family of giants flex,
while roaches look up to the feast.
Pass the lettuce and tomatoes.
Pass the carrots and spinach.
Square jaws of giants chomp slowly.
It's enough to make any decent roach sick.
by Ape Sinclair
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2. |
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3. |
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4. |
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Geisha geisha, full of grace. Gracious graceful grace geisha. Bouncing on pockets of velvet Sand. The elephants are revolving. Revolving. Devolving. That surely must be a metaphor for... for... four is the number of geishas that wondered the land looking for some kind of peace. A piece of peaceful solitude. Revolting? Revolution now! Hail the new skin of the goddess of time! Hail the lonely temptress that guided the blind unto the rivers of death. For she is an awkward temptress. A guiding light in the valley of doom. The game? A game? Surely no gain? Not again? Be still oh feeble mankind, and let her guide you to a richer, prosperous life. A life full of eastern promise. A bit like Turkish delight, but not as velvety. The kimono catches the wind and flutters in the dark. It is a kind kimono. Not a kimono. Feel the wind oh precious butterfly. May the geisha live on in your hearts. The hearts of lions. Elephant seals. Sealing the fate of the human race. No haste. Be safe.
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5. |
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Reign n sunshine
Chhhhhhhhhaaaaaaaaaaaakkkkkkk
Akkkkkkkk
Zzzzzeeeeeeeeeeep
Halap
Shalap
Schhhhhhhmmmmmmmaaaaaaaa
Be re tee
Be re tapeeeee
Be shammmmappe
Be salawami
B P H W D W M LA
M R W T A QUA NA
HAAAPPPPPPAAAAALLLLAAAAP
Zzzzzzzooooooooopppppppppppp
Faaaaaappppawwwwwwwwwwww
Doooooooowwwwwwwwwwoooooo
Jalalala jalalala
Napapapapapa
Be re tee
Be re tapeeeee
Be shammmmappe
Be salawami
Zeeeepppp
Zaaaaappp
Zoooooopppppppp
Zoaoaoaooaoaooaoa
Hshshshshshooolllleeee
Halllllashapawa
Jalalal jalalala
Laqutramontonio
J P T W A K Y PA
T Y Q B N WCH TA
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6. |
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YELLOW LINE
David D. 33 of Manchester eats with his face in his plate and screams Manchester eats with his face in his plate and screams for his face in his plate for no apparent reason. Police charged him with disorderly conduct for pounding nails into the yellow line on a busy city street. He is often arrested for misdemeanor crimes associated with his mental illness and problems with his face in his plate. At least two psychiatrists and a psychologist have examined David for no apparent reason often screams for his face in his plate pounds nails into himself and others is dangerous to the yellow line.
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9. |
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10. |
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KLAHOOM WIP WIP
Klahoom wip-wip
Yip hoppa dug a la soo chi ho kla la
Wippa wip ha to slee goovle kala kig
Pa la HEEN kola hoom bugho koo
Yip wow so bo coo la eef tra la la hoo
Suggie yope dooble gope nip rap hop giggle guh
Moghie ya-pa woogie slip co cheen iggle bot hoppa
Hoppa hoppa BA-BA
Oble klahoom soiby katee shish lipper num ho ka-la HO
Tip tope ho-ha lin goich ubee kla-ha MOKLE kla
Ippo snoo ba-sot-ka hippa hippa HO
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11. |
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It's never ends
I want to die
It won't go away
and it pushes people to the side
or away from me
I want to die
I want to live outside of this
Only a few get to feel their fist
But not me, it's not my time
Or will it ever be
I want to die
Lunchpail boxes and talking rocks
In my mind I am satisfied
but they don't understand that
these human creatures of hate and lies
I want to die
by stephanie vela anderson
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12. |
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"11001001"
GeGeGe GeGeGe GeGeGe No!
Wan Wan “Wan Wan” “Woof woof”
88
88
88
Whoo-whoo-whoo, whoo-ooh-ooh, whoo-ooh-ooh
<a1, a2, a3, a4, a5, …, an>, <a5, a1, a3>
Puff, puff, puff, puff
Puff, puff, puff
do
do?
do
(doo, doo, doo, doo)
Oh, oh, oh
one two one one
one one
one One One One One
one two one two One One
Doo whacka doo whacka doo whacka doo whacka doo whacka doo whacka doo
Doo whacka doo whacka doo whacka doo whacka doo whacka doo whacka doo, wa-ha
Mmmmmmm
Ba ba ba ba ba ba ba ba ba
Ba ba ba ba ba ba ba ba ba
Dat dat dat dat dat dat dat dat da da
Dat dat dat dat dat dat dat dat da da
Dat dat dat dat dat dat dat dat da da
Dat dat da da
La, la, la-la
de lo....... La, la, la-la Oh
de lo............. a.......... woo....
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13. |
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The Impossible Sinkhole
The impossible sinkhole of radioactive birds tumbles through time and space on the back of a snail. Inside my shoes of shale and granite pebbles lingers a bookwus whose cinema gadgets inundate the fossilized bookstore while a giraffe gets a haircut from sinister mods straight off the time machine from underwater New York. The cloud cover is rather moldy today; a weird bacteria is eating all the clocks and I can't understand why no one is out walking around but it must have something to do with Nepalese handstands or perhaps the inversion of light through capillaries of rotten potatoes.
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14. |
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15. |
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16. |
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Mix mash hemisphere's BONZAI JUBILANT, pop ghost the weasel. FULL STOP not soaping left from upper seldom qualifies beneath [warm silk] beware with fleeting FLEETING receding molecular undertainment sogs what mirth. Gargantualities transpire; sir, I have not wet this. Arrested due respite for the Gerber baby: not a chance in pants! Plenty of time for funerals, it just rubs right off. Perchance BAKERS HOLOGRAPHY? \|\|servile dusk transparent\|\| which CONSECRATION NOTWITHSTANDING televisement protrudes! Canisters to bannisters flopping and dropping, slipping in slop, dripping OBSTINANT CHEMICALS smell it now! A pandamelon carcinoma to grip, the cockswain's delight!
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17. |
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Nicholas M. Taylor
Sh(k)
Semi-Sound Poem for Recorded Voice
for {AN} Eel
Legend:
--------------------> (maintain or hold given or emphatic syllable)
suggested tape loop option
chant-like, suggested tape loop option
… (pause/silence)
begin, but do not finish as if interrupted
letter(letter) (gradual change of sound syllable or
transformative syllable)
*performance instructions. Don't read aloud*
Composer Notes:
This piece is organic. It was written improvisationally and should be performed
as such. It is the intent of this piece to be first read in succession. Upon first
completion the performer may disassemble the sections as they chose. They are
lettered “a-k”. Duration is of no consequence. Tape looping of denoted sections
is encouraged.
Or one could do as they please, like I said this piece is organic and who are we
to stand in the way of nature?
Sh(k)
a
Sh---------sh(ch)-----------> ch---------------------ch(g)-------------g------------>
K.
Sh-----------a-------dowsssssssss......
Like kin------dling-------- in a dark.........
Sp.....ace!
b
Sh(k), Krak, aaaaaaaahhhhhhhh?
Bark!.......ing--------------------------------->
up the wrong treeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
have I ever really known pain?
c
sh---------------->it, sh------------------------------------------(k)
eeeeeeaaaarrrrrlllyyyyyyyy morning
sunrises?
Sh---------sh(ch)-----------> ch---------------------ch(g)-------------g--------------------------->
S----------------------------->S(Z)--------------Z----------------------------------------------------
Z(F)-------------->F-----------------------------ire crack!er----------------------------ssssssssss.
d
Making st, at, i-------------------------------------------------------------------------------->c(k)
in, my, head
Fire engine, fire cracker, fire flicker red!
When I am angry red runs through my head stop!
Collaborate?
Bow before.......
bow wow kapow!
e
More stati--------------------------------------------------------------------------------------->c(k)
*imitate white noise ad lib*
f
mo kai, comi kokilikon
kalchite mor dhf au tenlik
gal if yut ga, niiu moi kaliknent
g
UNSCRAMBLE
Re...wind
Der rekcilf erif, rekcarc erif, enigne erif
Krad a ni gnildnik ekil moor
h
I do not fear death, as I never truly felt pain
palindrome, emordnilap. backwards thought?
zip, slash, hook, line, and sinker
like kindling in a krad moor
seert gninrub
i
gin rub? And tonic?
Massage in a nice head crack!er
head scratchesssssss shells by the shore
like kindling in a dark room
kindly collaborating coincidentally conscientiously
j
mo kai, comi kokilikon
kalchite mor dhf au tenlik
red runs through my dark moor
k
sh(k), ...shit, …sh(k)
More stati--------------------------------------------------------------------------------------->c(k)
Sh(k).
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18. |
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Image / Poem : Paul Sturm
Sound : {AN} EeL
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19. |
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ob ob bo ib bi ob bi ib bo eb ob bi
ab be ob bi ob bo
bo bi ba ob eb ba
bo ob bo ab ib ib
ib bu eb bo bi ub
ba bo bi ba bo be
ub ib ob bo bi bu
or or ro ir ri or
ri ir ro er or ri
ar re or ri or ro
ro ri ra or er ra
ro or ro ar ir ir
ir ru er ro ri ur
ra ro ri ra ro re
ur ir or ro ri ru
oh oh ho ih hi oh
hi ih ho eh oh hi
ah he oh hi oh ho
ho hi ha oh eh ha
ho oh ho ah ih ih
ih hu eh ho hi uh
ha ho hi ha ho he
uh ih oh ho hi hu
os os so is si os
si is so es os si
as se os si os so
so si sa os es sa
so os so as is is
is su es so si us
sa so si sa so se
us is os so si su
of of fo if fi of
fi if fo ef of fi
af fe of fi of fo
fo fi fa of ef fa
fo of fo af if if
if fu ef fo fi uf
fa fo fi fa fo fe
uf if of fo fi fu
ow ow wo iw wi ow
wi iw wo ew ow wi
aw we ow wi ow wo
wo wi wa ow ew wa
wo ow wo aw iw iw
iw wu ew wo wi uw
wa wo wi wa wo we
uw iw ow wo wi wu
op op po ip pi op
pi ip po ep op pi
ap pe op pi op po
po pi pa op ep pa
po op po ap ip ip
ip pu ep po pi up
pa po pi pa po pe
up ip op po pi pu
om om mo im mi om
mi im mo em om mi
am me om mi om mo
mo mi ma om em ma
mo om mo am im im
im mu em mo mi um
ma mo mi ma mo me
um im om mo mi mu
og og go ig gi og
gi ig go eg og gi
ag ge og gi og go
go gi ga og eg ga
go og go ag ig ig
ig gu eg go gi ug
ga go gi ga go ge
ug ig og go gi gu
od od do id di od
di id do ed od di
ad de od di od do
do di da od ed da
do od do ad id id
id du ed do di ud
da do di da do de
ud id od do di du
ok ok ko ik ki ok
ki ik ko ek ok ki
ak ke ok ki ok ko
ko ki ka ok ek ka
ko ok ko ak ik ik
ik ku ek ko ki uk
ka ko ki ka ko ke
uk ik ok ko ki ku
ox ox xo ix xi ox
xi ix xo ex ox xi
ax xe ox xi ox xo
xo xi xa ox ex xa
xo ox xo ax ix ix
ix xu ex xo xi ux
xa xo xi xa xo xe
ux ix ox xo xi xu
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20. |
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21. |
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1 WHACK-(bean)... eyes screwed - bosom-"neigh!" "nick!"- jaw: cracked (breath); - dust swells into a kind of mist and cobbles back together something . sweat trails its way to lips . hair curls on withered brow . blow, blow .
2 ........loll.. tacitly... Tart notion bats the lids.... mouth watered, improbably tickled - shrinks... tap-tap. ...thunder thwacks, . rolls wry rebellow: speeded up to rash; blank smite tilts the clapper, -Shut… (afterclap ripple), exorbitant.
3 -trice of tick; -sheen- laps the -cheeks.. .blink, still.- dimples kindle quake. ripples drawn, barely: pant - peal — pat. . . . -obtuse odd-knock, drown in dido.
4 tum-tumult (eerie). jib-yoke -idle,,, — whop! "tap"-"pat"-"tit"-"tat": PULL- tow tree - -...tasting fret of zeal; ":.."pesky" springs: -dear toot .wrapped in reek -sticks the slack cheek- -slap:"CHAP-chap"! (ample chortle tucks abaft). !waff.
5 daub cloud drawn. flush-fit: sparse spark-stretched- -ray: bobs-hops, imbrues the dire pitch of eyes: rag!- totter-clout ,-gasp ties: withered "vex"- tap-tap ....tug!.. tuck tOll. (Terse eaves tumble "um".)
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22. |
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Pseudo Phallus.
the same size as a starling the male buffalo weaver possesses a false penis a pseudo phallus directly in front of its cloaca the false penis is a ductless rod of connective tissue it is normally invisible obscured by feathers on the belly the male uses it to carry sticks to the nest false penis’s existence unique appendage instead of breeding as female male pairs a buffalo weaver breeding unit a coalition of two unrelated males and a harem of up to twelve females dna fingerprinting revealed that both males fathered offspring but they were also cuckolded cuckolded cuckolded phalloid organ phalloid organ phalloid organ the run up was extremely protracted he adopted a very odd position rubbing his pseudo phallus against the female’s underside the male underwent an orgasm as he ejaculated the advantage to the male may be that the female is more inclined to accept his sperm if she experiences a prolonged copulatory courtship with stimulation by the male’s pseudo-penis
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23. |
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ba be bi bo bu
ca ke ki co cu
da de di do du
fa fe fi fo fu
ga ge gi go gu
ha he hi ho hu
ja je ji jo ju
la le li lo lu
ma me mi mo mu
na ne ne no nu
pa pe pi po pu
ra re ri ro ru
sa se si so su
ta te ti to tu
va ve vi vo vu
wa we wi wo wu
bad
bed
bid
bod
bud
cat
ket
kit
cot
cut
daf
def
dif
dof
duf
fan
fen
fin
fon
fun
gap
gep
gip
gop
gub
hag
heg
hig
hog
hug
jan
jen
jin
jon
jun
lam
lem
lim
lom
lum
mat
met
mit
mot
mut
nab
neb
nib
nob
nub
paf
pef
pif
pof
puf
rab
reb
rib
rob
rub
sal
sel
sil
sol
sul
tap
tep
tip
tip
tup
van
ven
vin
von
vun
wat
wet
wit
wot
wut
zam
zem
zim
zom
zum
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24. |
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Lay son naturayl korrespond o kewran daynayrji subteel ki travayrss leu cor fizik. Lay kaleetay tacteel duneu dayssantt o zanfair combeen tentreu lay zaylaymen dun-arshitectur vibratwar. Lanatomee deu lair ambian dayfeenee sett mati-air sonor.
Lah stayrayhofony ahjewst lay vertij lay zun par rapor oz otr. Leu grosseesseemande linfimm par leu meecro transfair leu feezeessehin dans eun owtraysspawsstan ew eel risk deatre awbsorbay sanreutewr. Layspawce intayryeur reutewrn o kao. Lay conbeenayzon rytmic complex mahrk leu pawssaj deun aytaw psyshik aw eun owtreu. Leu montawj deu son nawturayl contrhastay sculpteu laylayctrowmagnaytissm deu fawsson imprayvu. Lay meecrow capteu law structur deu law manifaystawssion bewleuverssante. Leu deenawmeessm intayrneu day zaylayman deu law natur anreugeesstre lay son aymee par laypeen dowrsawl. Leu chan day gree-yon succayd ah laypreuve fay-ayreek. Daytranj intansitay frowl lay sonoritay orfik, o reet me deu law reucray-awssion du mond an swamaym.
Uneu flahk do fasson layr ambian. Lay sfayr saylayssteu freessonn.
Eezolay dahbor leu murmur day rayhaxion sheemeek. Leu pawssaj deun aytaw pseesheek ah eun outreu form antr eu day shayn sonor heebreed. Lay zayshanj simboleek peuv duray ossee lontan kon leu dayzeer. Lah nayssaysseetay intayrieur aytablee par lah swit eun clawssificassion.
Lah kabeen deu preez dee son reuflayt lakteeveetay du siayl. Leu sheemeest daykewvr lay sim ay lay montaj contrastay deu lah trance. Leu murmur day rayhaxion sheemeek frowl lay taykss-tur sonor day sfayr saylayssteu.
David NADEAU
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25. |
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26. |
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OjOreja
-El título un dibujo de Aaron Flores
)))tune of the urine? a
mouth outside time
's beastly inch yr fin
ger's smoke ~ ~ ~ ))in
yr shoulder an ear list
ens sucks the migrainless
letters mindless as a hat sp
eaks backword in a shoe
((( )forgetting Ivan Argüelles'
“immortality”( ((((( pill chain
yr slab fork des
sication raised toward
dark wet clouds were eyes
thick with waving grass if
,when speaks your sphere of
itch and crawling door ,was
blammo truck ,creeps an
burning tires ,if road were s
inks if chairs were hats if fish w
ere chains if sweat uh wind if sk
in baloney were yr might have
mute have dung apes sh
ouldered in the weeds )were
weeds the B rush to E ))nor
be soggy cheetos on the steps(( (
inductive
spork condensation
can't see floor
FEET ACROSS THE VOID
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27. |
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“Disjointed”
By Thomas Park
Image By Thomas Park
Disjointed
Part 1- “City Blocks”
Delmar Divide
Radical income discrepancy
Time partition, bandwidth
Empty or full, block by block
Sitcoms or spreadsheets
Building by building
Supply sedation, entertainment
Complicit to veiled agenda
Broken reflection, modern person
Haunting sound bytes, profiles, series
Accept the situation, find
Lucrative opportunity
Acquiesce
Get with the program
Take the offered hand, find peace
Or live on in pain and need
Part 2—“Underwater”
Underwater houses
Mutilation wave
Surf murder
Subsiding waters peaceful
An entire kingdom lives
Under the sea
With ecosystems
Hotels of coral
Plastic dumps
Garbage LaGrange points
Gentle giants, whales
Pass through the salty depths
Avoiding the land
Or larger ships
Civilian, military
Bearing commerce, toxic oil
Subsurface pipelines
Sonic booms
Survey the change in tides
The change in sea
Part 3—“Superman”
Desired connection
Digits, mobile device
Broken eye contact
Notify with sound or vibration
Split persona, public, private
Network doppelganger
Send my digital ghost
To haunt your house
To save your life, protect
Your young, There is
A ringing tone, a flash
Of light, it’s just your
Phone
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29. |
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30. |
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MESSAGES
The bird in the tree
is an eye of my enemy.
I find it difficult
to sit quietly.
Although they do not use my name,
there are messages about me
on radio and tv.
I find it difficult to conceal the fact
that I am not angry.
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31. |
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32. |
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Life is beautiful
Life is strange
Residing in the storm's eye
Certain we will change
Arms outstretched
Feeling the debris
I watch you ripped from your spot
Was certain you'd change
Silent in the calm
Balling myself up
Effort to become a singularity
Hoping to change
Is it wrong for a creative mind to move backwards through the linear?
Can you feel the current I'm swimming against?
It's not nostalgia that's the enemy
It's the ever present nihilist whose shoes fit my feet
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33. |
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34. |
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wax barb ac bustle below boy nil nabs carve bake sly knew
bulk beef barium cut back baht rats brave match jays buff bet
easy amid latitude cawed behest jam bath cram bled ace bank bib
maybe tilt bike blue baby and blur bomb be why who boxed
annex pay bent ox arid Cornelius buck if sum ounce beer box
acme bumpy boxy banyan sea buffy of fox bossy bobo Maxwell bumph
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35. |
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Wilfried Hanrath: 2 Dutch Days
Zonnemaire o Zonnemaire
Gemeente Schouven-Duiveland
Du Stern in meiner Nudelsuppe
Pas op Kinderen
Let op Drempels
Geef ritser ruimte
Ga terug
Verse Kerse
U kunt hier niet naar binnen
Lekker geslapt
Pittig ontbijt
Fietsverhuur
maar waar verstopt
Verse patat haal je hier
Word jij onze nieuwe collega
Proef onze nieuwe verse frietgerechten
Verboden op de brug te klimmen
O kijk, dat zijn die oude platen
Heerlijke hartige en zoete lekkernijen
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36. |
{AN} EeL - SLUG
00:16
|
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SLUG
LUGS
UGLS
GUSL
LUSG
ULSG
UGSL
|
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37. |
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an unsettling poem (translated with Google Translator several times from Italian into about twenty different languages and back to Italian) in sundanese (Indonesian part of Java).
LeMoN
Ngadangukeun abdi, lulusan penyair
Mung tutuwuhan dipindahkeun
jarang dipaké ngaran: boxwood, ligands atanapi acanthus.
keur kuring abdi resep jalan grassy
Kuring aya di puddles
sushi budak satengah garing
Sababaraha belut langka:
jalan anu nuturkeun ciglioni,
mindahkeun antara trstev squatting
tur nyimpen di Kebon Raya lemon.
gazzarre manuk hadé
extinguish aranjeunna ngelek bulao nu:
leuwih jelas, noise hurung
dahan ramah di hawa, nu hese mindahkeun,
jeung itungan ambu
anu moal bisa turun lantai
na hujan hujan ngagalura dina dada.
Di dieu aya sababaraha fun markisa
miraculously, perang téh jempé,
Di dieu nyaeta bagian tina riches urang salaku goréng kami
tur éta ambeu lemon.
Dina tiiseun kieu ningali hal
nyerah tur muncul nutup
dileupaskeun rusiah na panganyarna
Kadangkala kacida ieu rencanana
Manggihan kasalahan Alam,
karuksakan dunya, cingcin, nu teu masalahna,
thread pikeun panipuan, anu tungtungna brings kami
di tengah kaleresan.
Sigana digs,
diajar pikiran perjangjian anu torn
nu aroma nu nyebar
nalika poé luhur.
Di handap ieu mangrupakeun tiiseun nu urang tingali
dina unggal kalangkang manusa nu shifts
sulpat melang.
Tapi ilusi nu geus leungit tur brings kami deui waktu nu
di tempat ribut dimana eta dipintonkeun a bulao
ngan dina potongan di luhur, antara tembok.
Ti dieu, hujan ragrag bumi; affolta nu
usum imah,
Lampu janten Irakus - a jiwa pait.
Nalika poé tutup-panto
diantara tangkal di pakarangan
némbongkeun hiji lemon konéng;
sarta haté tiis geus béak,
na dada urang nungkulan
lagu maranéhanana
emas gusti katiisan.
|
{AN} Eel Toronto, Ontario
(AN) EeL is all over the map. An Experimental Vocalist & Full Bodies Inhabitant of this Colorful universe. He Make Ood Thiings, You Knoww.w>....
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